Michael Bierut is a partner at the mighty Pentagram Design in New York. His client list includes Alliance for Downtown New York, Benetton, the Council of Fashion Designers of America, Alfred A. Knopf, the Walt Disney Company, Mohawk Paper Mills, Motorola, MillerCoors, the Toy Industry Association, Princeton University, Yale School of Architecture, New York University . . . the list goes on and on.
Posted above is a presentation Michael gave at the Galapagos Art Space in Brooklyn last month, a very honest, direct and humorous talk on the topic of clients. Good clients, bad clients, the traits of both, keeping good ones, getting rid of bad ones, etc. I found Michael’s points of view on the topic of clients extremely sobering, to the point of my feeling the need to change how I conduct Signalnoise in order to find those connections with clients needed to, not get rich, but to do good work with good people.
This is a video all designers should watch whether you are a seasoned veteran or a student. It’s a short 50 minutes, and well worth the time. Please have a watch, and please pass this on.
If you follow me on Twitter, you might have seen me talking about the Finnish rock band Reckless Love over the past few months. The 4 boys in the band, Olli, Hessu, Jalle and Pepe hired me last year to create the band’s visual identity including the logo, a couple of cd single covers and their official label debut album cover.
I’m happy to announce that their debut is due to be released on February 24th, coincidentally my birthday! Shown above is the final album cover design I created for the guys.
I mentioned this in a previous post about the band, but there is nothing better then working with someone who is excited about their project. That makes me excited, and inevitably makes the work better. Reckless Love’s sound is inspired by hard rock and hair metal bands from the 80s, polished and updated nicely. So naturally, the design hearkens back to that era being inspired by bands such as Mötley Crüe and Van Halen:
I’ve been listening to the final album for a little while now as I worked on the designs and I really can’t wait for the release. Its construction is honest, and they capture perfectly the elements of fun from the era that inspires them, without any irony. It’s no secret that I love modern updates of things past, so I’ve enjoyed every second of working on this project.
I’ve seen these vintage Porsche advertisements floating around Ffffound and various design blogs for the past little while, but after coming across this post on A Time to Get I felt compelled to share them as well.
I’m seeing a trend in design recently utilizing vintage photography, either greyscale or muted tones with big bold typography and flat color blocks, perhaps inspired by ads such as these. I particularly enjoy the off-kilter diagonals used for the bold color treatments and typography baselines. Beautiful stuff.