A Signalnoise Odyssey, Part III

Part III: Here Come the Bad Guys

After creating the main character concepts (see Part I) as well as refining the design in vector format (see Part II), I was now at a critical point in the project which was mapping out exactly how I wanted it executed, in what medium, and what additional elements or characters I needed to create.

While designing, I had been loosely thinking about what the characters might look like in motion with different scenes, angles and poses. So I decided my little alien robots would be the lead characters in a little online animation project, maybe webisodes or a few short films. I would write and animate everything in Flash with some painterly backgrounds, an ambitious but fun little project I simply dubbed The Planet.

A Signalnoise Odyssey: James White

With that decision made, I set about writing some basic outlines for plots and stories I thought would be fun to work on. As the story grew I started adding more characters into the mix to foil, and be foiled by, the Brothers. These additional characters got further flushed out as I bounced ideas off of friends for plot ideas, and I eventually started the design process to see what these guys looked like.

The first was the main bad guy, the Coyote to my little Roadrunners, who I wanted to resemble a small spoiled child. His name is Ikaru:

A Signalnoise Odyssey: James White

Darth Vader had his Stormtroopers, and I wanted Ikaru to have his own posse of minions to do his dirty work:

A Signalnoise Odyssey: James White

And a race of super-intelligent robo-beings I simply named The Elders. Nobody knows whose side the Elders are on:

A Signalnoise Odyssey: James White

And what bad guy would be complete with a castle lair where he can plot the demise of his unsuspecting enemys? As a kid, I always loved how elaborate the villains’ hideouts always were, so here is a concept design for Ikaru’s castle:

A Signalnoise Odyssey: James White

My overall goal for creating a cast of characters was to not only make them unique from each other, but paying strict attention to how they looked as a whole. Styles can change, but they needed to look consistent as a group to enforce they were from the same universe, or planet in this case. I have been drawing cartoons my whole life, but with this project I was concentrating on applying my design abilities to keep things as consistant as I possibly could.

So at this point I had a more explored idea of the band of characters that inhabited The Planet, and a good idea of how they interacted to one another based on their archetypes. It was then time to move from the conceptual stage and into some pre-visualization and storyboarding based on the storylines I had come up with, and the trials that come with it.

Next up . . . Part IV: Creating a Planet

8 Comments

  1. that’s brilliant…
    i hope the animation part will be as good as in my mind…

  2. Sweeeeet. I really love the Ikaru character. I like his animalistic qualities too, like the semi-antlers he has on his head. And I really like how you kept the simple hand shape with all the characters as well. It reminds me of the hands on a lego character.

    Definitely looking forward to the next post.

  3. creative!

    great design, and simply showed the very bad character..
    congrats.

  4. Great stuff James! You really are a versatile designer. Not only a great artist but also a great character designer as well!

  5. james (Author)

    Thanks everyone!

    Kyle, I was pretty into Samurai Jack at the time, which inspired a lot of Ikaru’s design. You are right about his animalistic quality, he always reminded me of an angry bullfrog for some reason :)

  6. Hey James if I were you, I would make Ikaru and his minion(s) have more similar colors, such as making both black and red or black and green to match each other.

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